'We Were the First Punks': The Women Reshaping Grassroots Music Culture Around the United Kingdom.
When asked about the most punk gesture she's ever pulled off, Cathy Loughead answers without pause: “I played a show with my neck broken in two places. Not able to move freely, so I embellished the brace instead. That show was incredible.”
She is part of a expanding wave of women transforming punk expression. Although a new television drama spotlighting female punk premieres this Sunday, it echoes a movement already blossoming well outside the screen.
Igniting the Flame in Leicester
This energy is most intense in Leicester, where a recent initiative – currently known as the Riotous Collective – sparked the movement. She joined in from the start.
“At the launch, there weren't any all-women garage punk bands in the area. By the following year, there were seven. Today there are twenty – and counting,” she explained. “Riotous chapters exist across the UK and internationally, from Finland to Australia, producing music, gigging, appearing at festivals.”
This explosion extends beyond Leicester. Across the UK, women are taking back punk – and changing the scene of live music in the process.
Rejuvenating Performance Spaces
“Various performance spaces across the UK flourishing thanks to women punk bands,” she added. “The same goes for practice spaces, music education and guidance, production spaces. That's because women are filling these jobs now.”
Additionally, they are altering who shows up. “Bands led by women are gigging regularly. They're bringing in wider audience variety – people who view these spaces as secure, as intended for them,” she remarked.
A Movement Born of Protest
An industry expert, from a music youth organization, said the rise is no surprise. “Females have been promised a vision of parity. However, violence against women is at epidemic levels, the far right are using women to spread intolerance, and we're gaslit over topics such as menopause. Females are pushing back – by means of songs.”
A music venue advocate, from the Music Venue Trust, sees the movement reshaping local music scenes. “We are observing varied punk movements and they're contributing to local music ecosystems, with local spots programming varied acts and creating more secure, friendlier places.”
Mainstream Breakthroughs
Later this month, Leicester will present the debut Riot Fest, a multi-day celebration showcasing 25 women-led acts from the UK and Europe. Recently, a London festival in London showcased BIPOC punk artists.
This movement is entering popular culture. The Nova Twins are on their debut nationwide tour. A fresh act's initial release, their album title, reached number sixteen in the UK charts this year.
Panic Shack were shortlisted for the a prestigious Welsh honor. Another act secured a regional music award in 2024. Recent artists Wench appeared at a major event at Reading Festival.
This represents a trend rooted in resistance. Across a field still affected by gender discrimination – where women-led groups remain lacking presence and live venues are shutting down rapidly – female punk bands are establishing something bold: space.
No Age Limit
In her late seventies, one participant is testament that punk has no age limit. From Oxford musician in horMones punk band started playing only twelve months back.
“Now I'm old, restrictions have vanished and I can pursue my interests,” she declared. One of her recent songs features the refrain: “So scream, ‘Fuck it’/ It's my time!/ I own the stage!/ I am seventy-nine / And in my top form.”
“I appreciate this influx of senior women punks,” she commented. “I wasn't allowed to protest during my early years, so I'm rebelling currently. It's fantastic.”
Kala Subbuswamy from her group also said she hadn't been allowed to rebel as a teenager. “It's been important to finally express myself at my current age.”
Chrissie Riedhofer, who has traveled internationally with various bands, also considers it a release. “It's about exorcising frustration: feeling unseen as a parent, at an advanced age.”
The Liberation of Performance
Comparable emotions inspired Dina Gajjar to form Burnt Sugar. “Being on stage is a liberation you never realized you required. Women are trained to be acquiescent. Punk isn't. It's raucous, it's imperfect. As a result, when bad things happen, I think: ‘I'll write a song about that!’”
Yet, Abi Masih, drummer for the Flea Bagz, stated the female punk is all women: “We're just ordinary, professional, brilliant women who love breaking molds,” she explained.
A band member, of the act the band, shared the sentiment. “Females were the first rebels. We needed to break barriers to get noticed. This persists today! That rebellious spirit is in us – it seems timeless, elemental. We are amazing!” she exclaimed.
Defying Stereotypes
Not all groups fits the stereotype. Julie Ames and Jackie O'Malley, involved in a band, aim to surprise audiences.
“We rarely mention the menopause or use profanity often,” said Ames. The other interjected: “However, we feature a bit of a 'raah' moment in each track.” Ames laughed: “That's true. But we like to keep it interesting. Our most recent song was on the topic of underwear irritation.”